Finally! Laurel & Hardy The Essential Collection on DVD

Laurel & Hardy, "Laurel & Hardy The Essential Collection" MovieFanFare is thrilled to have Leonard Maltin returning for another guest post today:

It’s a cultural crime that the greatest comedy team of all time has been so forsaken on DVD…until now. Therefore, I’m happy to report that Laurel & Hardy The Essential Collection (Vivendi) fully lives up to its name. It includes all of the team’s talkie shorts—including the ones they made in foreign languages for the international market—and most of their feature films for producer Hal Roach. (A handful of these films were released several years ago, but in slipshod fashion, using syndicated TV masters with fade-outs for commercial breaks!)

I know many people who were so desperate to have this material that they purchased all-region DVD players just so they could play the British boxed set of L&H comedies some years ago. That nicely-packaged collection also included colorized editions, which most fans wouldn’t bother to watch.

Now, thanks to the untiring efforts of Richard Bann, the Roach library has been treated right on this 10-disc set. The original MGM logo and art-deco main titles, which were replaced decades ago, have been faithfully restored. Vivendi has used the best 35mm source material available and transferred the films in high-definition. (This in no way minimizes the need for this collection to undergo thorough modern-day preservation of the original sound and picture elements, as the UCLA Film and Television Archive is doing right now. Learn more HERE.)

I haven’t had time to watch every film in its entirety, but I’m very happy with what I’ve sampled, including the best-looking copy of the Oscar-winning short The Music Box I’ve ever seen. The packaging and menus are attractive and the liner notes by Dick Bann couldn’t be better. Dick has also recorded several commentary tracks which are jam-packed with background information no one else could provide. (Dick has devoted much of his life to researching the films of Hal Roach, and spent many years as Mr. Roach’s trusted confidant. He and I collaborated on a book, The Little Rascals: The Life and Times of Our Gang years ago.) He is joined by comedy scholar and aficionado Rich Correll—they have so much to say about Hog Wild that it requires two separate audio tracks—and Hal Roach music expert Piet Schreuders. A separate commentary for Sons of the Desert features lifelong L&H enthusiasts Chuck McCann and Tim Conway, who know a thing or two about comedy.

A tribute to Stan and Ollie features McCann and Conway on camera along with such notable fans as Dick Van Dyke, Jerry Lewis, Bob Einstein, and Penn and Teller. Dick Bann is joined by fellow experts Bob Satterfield, Jimmy Wiley II and Jimmy III for a lively tour of Laurel and Hardy locations, then and now.

But wait—there’s more. The short-subject Laughing Gravy features ten minutes of footage that was never released in the U.S. (but was adopted for the foreign-language versions). There are also complete versions of the three Hal Roach talkie shorts in which L&H made unbilled guest appearances: On the Loose with Thelma Todd and ZaSu Pitts, Wild Poses with Our Gang, and On the Wrong Trek with Charley Chase, as well as the U.S. Department of Agriculture short The Tree in a Test Tube (1942), the only time Laurel and Hardy were filmed in color. There are even rarely-seen original-issue preview trailers for Pack Up Your Troubles, A Chump at Oxford, and Saps at Sea.

I grew up watching these films every single day on local television; kids who came of age over the past thirty years haven’t seen so lucky, and neither have Laurel and Hardy, who have receded from their position of prominence in our culture. It’s high time they were reintroduced, and this DVD set will go a long way towards that goal. (Turner Classic Movies also makes good use of the Hal Roach library, but that doesn’t compare to the ubiquitous presence these movies had in the early days of television.)

To complete your library of Laurel & Hardy on DVD, you should also own the double-feature The Devil’s Brother and Bonnie Scotland, beautifully restored and released several years ago by Warner Home Video. (Dick Bann and I can be heard on their commentary tracks.)

And if you want to know the long, sad story of how the Roach library has been passed from hand to hand, and mistreated along the way, you should read Dick’s exhaustive essay on the subject at the official Laurel and Hardy website HERE.

Now all we have to do is get the Laurel and Hardy silent shorts to be released with the same loving care.

Leonard Maltin is a respected film critic and historian, perhaps best known for his annual paperback reference Leonard Maltin's Movie Guide, which was first published in 1969. It was joined by Leonard Maltin’s Classic Movie Guide in 2005—newly revised in 2010. His latest book is Leonard Maltin’s 151 Best Movies You’ve Never Seen. Since 1982 he has appeared on television’s Entertainment Tonight; he also hosts Maltin on Movies on ReelzChannel and introduces movies on DirecTV Cinema. His other books include Leonard Maltin's Movie Encyclopedia, The Great American Broadcast, The Great Movie Comedians, and The Disney Films. His articles have appeared in The New York Times, Los Angeles Times, and many other publications. Perhaps the pinnacle of his career was his appearance in a now-classic episode of South Park. (Or was it Carmela consulting his Movie Guide on an episode of The Sopranos?) He lives with his wife and daughter in Los Angeles, where he publishes a newsletter for old-movie buffs, Leonard Maltin’s Movie Crazy, and holds court at www.leonardmaltin.com.

 
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  • Cappy

    I can't say enough how great this collection is. This is a must have. I rate this set 5 stars and more. Great is a understatement. Thank You.

  • masterofoneinchpunch

    The collection is great, but I have two issues with the set itself:

    First: all the discs are tightly packed in the cardboard slots (like the later Simpsons releases) which are difficult to get in and out (impossible to not get finger prints on). In fact after I have taken them out the first time I just put them in a CD slim case to prevent scratching (this has been a complaint of several on Amazon reviews).

    Second: there is no subtitles nor close captioning. The OOP Image releases had CC yet those are not here.

  • Allen Hefner

    MANY thanks to Dick Bann for all his work on getting this project completed. And to Mr. Maltin for his devotion to The Boys. Bann's article on the Laurel and Hardy web site is a must read for classic film fans, but it is also a tear-jerker. I urge you to visit the UCLA film preservation site and make a donation. As a member of The Sons of the Desert, I have been watching these films on everything from bad 16mm dupes to old video tapes. Now I can't wait to see this set in my Christmas stocking!

  • melvin bond

    Love those great, early 1930 sound shorts of the
    boys but Laurel & Hardy also shine bright in the
    silent shorts they did. They are are in 1st place for comedians of the sound era just ahead of the
    three stooges, in my opinion. Like Buster Keaton
    they didn't need sound to make us laugh, facial
    expressions were tops in the silent days and both
    Stan & Ollie were A-1 at these. I Hope Santa is
    peeking in on this little note, with Laurel & Hardy and a nice brown turkey what else could you
    want for Christmas morning.

  • swac

    Nit-Pick Dept.: Laurel and Hardy were also filmed in colour in the now-lost 1929 film The Rogue Song, but at least one fragment with the boys remains:

    http://www.youtube.com/watch?v=qBff3jwIZrU

    Maybe the rest will turn up in somebody's attic some day...

  • John Field

    Besides the restoration of the main titles, I could see NO actual visual restoration done at all. It states on the shrink wrap, Digitally Restored and digitally re-mastered.
    There is dirt, an occasional splice, and other defects. If you are expecting Three Stooges Collection quality, it ain't there. As some have stated, this is the best there will be for quite some time.

  • Publius

    I was aware of this new set being released through the L&H Magazine in England a few months ago. If I had the money now I would rush out and buy it; but finances right now, prevent me.
    According to the British, probably the one thing that will make people buy this set is the bonus features of the guest commentaries.
    Speaking as a fan who has ALWAYS been devoted to L&H, I consider this a great achievement. Mr. Maltin is right when he says that The Boys have fallen between the cracks when it comes to reviving their films and comedy greatness on DVD. I praise the company for restoring the films and reinserting the MGM logo which should've been done in the first place. I was concerned that the print of GOING BYE-BYE had so many breaks and cuts in the Film Classics Reissue print that some of the jokes were ruined because of the timing. The print I have now is perfect through Kirch. When I was growing up, L&H were always on TV. When I started in Dayton Children's Theatre, I learned a lot from them, and though my directors always chided me for using "Laurel and hardyish" gestures; when I did use them, they always brought down the house. I hope that ALL the great comedians will eventually have ALL of their works preserved on film. For L&H fans, the treats that Mr. Maltin describes make our mouths water. I would've loved for The Silents to be included in the collection, for, in my personal opinion, they are the greatest work of L&H. TWO TARS, WRONG AGAIN, and SUGAR DADDIES have got to be three of the funniest silent comedies ever made with L&H in them. I have contributed to UCLA some rare footage of L&H that they made in England c. 1952-53 when they attended a dinner for Pathe television. I hope the sales for this series take off, and when times get better, I will definitely purchase the collection! Remember: We are the first people in the histroy of the world--before or since--to leave a LIVING RECORD of our Century!

  • Mark Townsend

    This is GREAT! I have been a Laurel & Hardy fan since high school! In fact I bought (YEARS AGO) a Super 8mm. sound print of BRATS. I have a VHS tape of THE MUSIC BOX which features both the original version and a colorized one with modified soundtrack.
    But none of it holds a candle to this terrific collection. It is certainly a MUST for any L&H aficionado. It's beautiful. Hours of fun.
    I am looking forward to the specials but I am still on the first disc, this is so new to me.
    THANK YOU, Vivendi, for this excellent product!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

  • ed

    i have most of l&h stuff on vhs and dvd and even the old prints are 4 star comedy

  • SHELDON

    I'M SOMEWHAT OF A CURMUDGEON, BUT LAUREL AND
    HARDY MAKES ME LAUGH SO HARD THAT MILK COMES OUT OF MY NOSE, EVEN WHEN I'M DRING A SODA.(LOVE THOSE
    GUYS THEY NEVER GET OLD)

  • Maxwell Starr

    To Leonard Maltin: I'm among the legion of L&H fans and very happy to read that this dvd collection has served them well. I would like to know if the alternate French version of "Pardon Us" (with Boris Karloff taking over a part) is included in this set. If not, do you have any information on where one can obtain a copy of this Karloff/French edition? Or do any copies still exist?

  • StevenWells

    Minor nitpick: "The Tree In A Test Tube" was not the only time L&H were filmed in color. The 1930 operetta "The Rogue Song," starring Lawrence Tibbett, was shot in two-color Technicolor. Only the tiniest fragments of their scenes still exist.

  • BRIAN

    Its a shame no one can find The Rogue Song.

  • Mr. Ed

    They still got it, after all these years. I recently watched them delivering the piano up the almost impossible stairs and enjoyed some genuine belly laughs. Ollie's exasperated stares into the camera are simple, effective and hilarious. What passes for comedy now-a-days is pretty nearly insipid.

  • mike jaral

    I also have a lot of L&H on vhs, which is in very good condition and viewing, they still make you laugh, over and over.

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