One actor. Two film roles. You tell us which portrayal was the best. The most memorable. Or iconic. Or simply your favorite. But before you pass judgment, a few words defending the “character” of each… The case for Quasimodo Though…
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In today’s guest post, classic film enthusiast Jennifer Berzin looks at a forgotten film by the legendary Ida Lupino.
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His name is forever linked to Mary Shelley’s man-made monster, but Boris Karloff’s fright film career stretched beyond the 1931 horror classic and its sequels. MovieFanFare wants to know which non-Frankenstein Karloff chiller is your favorite.
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I’d like to talk about a movie made in the last 20 years that I think should be considered a “classic”. I’m not exactly sure what deems a film a classic; is it that it’s old? And what is considered…
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It’s been 73 years since Charles Chaplin took the plunge for his first all-talking feature comedy, delivering the daring Hitler satire The Great Dictator. We’ve got more cinema signposts for your perusal.
Read more →Guest writer Rob Hall looks at a project to restore the over 100 two-reel films funnyman Edgar Kennedy made for RKO in the 1930s and ’40s and bring the genius of the “slow-burn” comedic actor to new generations of fans.
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We’ got another round-up of gems from our inventory that are here today but may be gone tomorrow, like the fun 1956 Lucille Ball-Desi Arnaz big-screen vehicle Forever Darling.
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What do Harvard Law school students and a Coney Island street gang have in common? Rick29, who looks at two very different ’70s films about young men at crossroads in their lives: The Paper Chase and The Warriors.
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Here’s a look at four of Scream Factory’s most recent releases: Day of the Dead, Prince of Darkness, Psycho II and Psycho III. Are these fright flicks worthy of being a part of your Halloween celebrations? Read on and find out…if you dare!
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You know the drill. Click here for a classic movie photo from the Vincent Price fight favorite The Abominable Dr. Phibes with Jason’s caption. You’re encouraged to leave your own suggestion in the comment section.
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