With only 48 hours’ furlough in New York before he returns to combat, soldier Robert Walker meets and falls for secretary Judy Garland in The Clock. Guest writer Kristen Lopez takes a few minutes to review this 1945 MGM romance, directed by Vincente Minnelli.
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The Women, MGM’s all-star, all-female film version of the hit Broadway play, debuted 75 years ago this week. We’ve got plenty of juicy gossip about other key moments from Hollywood history waiting for you inside.
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Jeffrey Hunter played a circuit-riding attorney in 1880s Texas in The Man from Galveston. Guest writer Laura Grieve lays down the law on the 1963 frontier legal drama, which started out as a TV pilot and lead to Hunter’s short-lived 1963-64 series Temple Houston.
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Earlier this year, Movie Irv predicted Kevin Costner’s football drama Draft Day would be one of 2014’s higher-profile failures. He guessed right–and now, with the film coming out on home video next week, he’s back to tell you if it deserved to fumble at the box office.
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British actor/filmmaker Richard Attenborough, who won an Academy Award for directing Gandhi, died this weekend at the age of 90. This week’s poll remembers Attenborough and asks which of the movies he directed is your favorite.
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Film Noir’s dark shadows weren’t confined to dim city streets, as suburban family man Dick Powell found out to his regret in Pitfall. Rick29 shines a light on the 1948 United Artists thriller, which co-starred Jane Wyman, Lizabeth Scott and Raymond Burr.
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MovieFanFare joins Forgotten Films’ 1984-Blog-a-thon fun with this appreciation of the crazy Cannon Film Group release about a telephone repairwoman who loves aerobics and gets possessed by the spirit of a dead ninja.
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Sixty-six years ago this week, moviegoers thrilled to Alfred Hitchcock’s unique crime drama Rope. If you weren’t one of them, don’t get hung up; we’ve got plenty of other notable film moments to share with you.
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Guest writer Todd Liebenow looks at the 1934 Warner Bros. drama Massacre, one of Hollywood’s first films to depict contemporary Native Americans life…but still featuring a white actor (Richard Barthelmess) in makeup as the Sioux protagonist.
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Writer/director Richard Linklater makes the experience of growing up especially authentic in “Boyhood,” in which we are able to observe the main character growing up–literally–right before our eyes.
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