Hail to Republic!

Today's guest blogger is the incomparable Leonard Maltin:

In its heyday, Republic Pictures wasn’t taken seriously by the mainstream studios. It was a B-movie factory, and nothing more. (Erich von Stroheim referred to it as “Repulsive Pictures.”) In recent decades, enthusiasts have come to appreciate just how good Republic was at making those B movies, especially westerns and Saturday matinee serials. Their stunts and camerawork were exceptionally good, and many aficionados believe that their visual effects (created by the brothers Lydecker, Howard and Theodore) were even better than the work being done at that time by the “big boys” at MGM and Fox. Republic didn’t make movies to win awards or critical plaudits, but it certainly pleased its target audience—small-town moviegoers and kids.

On September 25th, the 75th anniversary of Republic’s founding by Herbert J. Yates (owner of Consolidated Film Industries, a film lab that “consolidated” several smaller production companies) was celebrated at its longtime home in Studio City. Originally built for comedy pioneer Mack Sennett, the facility was later home to television’s Revue, then MTM, and is now CBS Studio Center, where many series are shot, including Entertainment Tonight. The folks who run the studio are unusually generous about opening the lot for community activities, as on the 4th of July, and work in league with the Studio City Residents Association and other civic groups.

An array of Republic stars: Joan Leslie (partly hidden), Ben Cooper, Adrian Booth (aka Lorna Gray), Michael Chapin, Peggy Stewart, Dick (formerly Dickie) Jones, Donna Martell, and Anne Jeffreys. I unintentionally cut off Hugh O’Brian, at right, I’m afraid!

A number of actors who appeared in Republic Pictures were in attendance at the day-long event. I was happy to host a panel involving leading lady Adrian Booth, also remembered as the villainess Vultura in The Perils of Nyoka serial; beloved Western heroine Peggy Stewart, who’s still working (she played Dakota Fanning’s grandmother in The Runaways this year); 1950s studio stalwart Ben Cooper, former child actor Michael Chapin; the ever-lovely Anne Jeffreys, who started out working opposite Bill Elliott and Gabby Hayes; Donna Martell, who made her film debut in a Roy Rogers-Dale Evans vehicle; Dick Jones, who played John Wayne as a boy in the first official Republic production, Westward Ho, and often worked at the studio thereafter; Hugh O’Brian, who put in time at the studio in his early years in the acting business; and Joan Leslie, who wound up at Republic in the 1950s starring in films like Flight Nurse, and who has the distinction of playing leading lady to popular singer Vaughn Monroe in a short-lived attempt to transform him into a Western hero. With nine people and only 45 minutes there wasn’t time to hear more than a reminiscence or two from each panelist—and no time for me to pose followup questions—but everyone in the jam-packed CBS commissary seemed to enjoy the proceedings all the same.

Jamie Nudie brought one of her father’s decked out cowboy cars and a few of his equally elaborate outfits. Nudie outfitted so many Western stars it’s impossible to keep track.

Other panels included Jane Withers, Jimmy Lydon, Jane Kean, Theodore Bikel, Marjorie Lord, Robert Easton, plus a tribute to the Lydecker Brothers, a reading of John Mitchum’s poems organized by his daughter Cindy, who hosted with my pal Rob Word (and featuring an all-star lineup including Andrew Prine, Bo Hopkins, Herb Jeffries, Larry Maurice, Ty Hardin, and Cliff Emmich, along with Ben Cooper, Dick Jones, Peggy Stewart, and Donna Martell) and a “second generation” gathering with Diana Canova, Jamie Nudie, Julie Rogers, Julieta Canova, Aissa Wayne, Tracy Terhune, Jeff Connors, and Chris Nibley, son of screenwriter Sloan Nibley and leading lady Linda Stirling.

There were food vendors, live music and cowboy poetry, movie memorabilia for sale, screenings of vintage Republic movies and serial chapters (and an impressive clip reel featuring the day’s guests assembled by Les Perkins) and much more. My Stetson’s off to the many folks who worked to create this ambitious event, including Elizabeth Gulick of CBS Studio Center and Lisa Cahan Davis of Cahan Davis Marketing & Promotions. That it came off so well despite 100-degree heat is little short of a miracle.

If you’d like to read more, go to the event’s website at www.republicpictures75th.com.

Leonard Maltin is a respected film critic and historian, perhaps best known for his annual paperback reference Leonard Maltin's Movie Guide, which was first published in 1969. It was joined by Leonard Maltin’s Classic Movie Guide in 2005—newly revised in 2010. His latest book is Leonard Maltin’s 151 Best Movies You’ve Never Seen. Since 1982 he has appeared on television’s Entertainment Tonight; he also hosts Maltin on Movies on ReelzChannel and introduces movies on DirecTV Cinema. His other books include Leonard Maltin's Movie Encyclopedia, The Great American Broadcast, The Great Movie Comedians, and The Disney Films. His articles have appeared in The New York Times, Los Angeles Times, and many other publications. Perhaps the pinnacle of his career was his appearance in a now-classic episode of South Park. (Or was it Carmela consulting his Movie Guide on an episode of The Sopranos?) He lives with his wife and daughter in Los Angeles, where he publishes a newsletter for old-movie buffs, Leonard Maltin’s Movie Crazy, and holds court at www.leonardmaltin.com.

 
Click Here to get MovieFanFare delivered to your inbox!

Share It!

Leave a Reply

  • Trainman

    My hat comes off to you Leonard for remembering the past it such a joy listening and reading what you have to say thanks once again.

  • Jack Barrie

    It was Republic studios that gave us "THE QUIET MAN" when no other studio wanted to touch it. Herbert Yates said to John Ford " Make me a western first then you can have the money to make this Quiet Man film" Just think what we would have missed had it not been made ! The western he made ( by the way ) was RIO GRANDE.

  • Jim

    Anne Jeffreys still looks great ( and ready to haunt Cosmo Topper!!).

  • Ludy Marvin Wilkie

    This is a great post. I have copies of two Republic Features, ZORRO'S FIGHTING LEGION, and ZORRO'S BLACK WHIP. Leonard Maltin is one of the two most knowledgeable film historians to have published (Joe Franklin is the other). I have Mr. Maltin's book THE DISNEY FILMS. It was good that Jane Withers was able to attend the Republic event. I have a copy of her film IS THIS DIXIE? and, after all these years, she still seals the show.

  • RON

    THE GREAT REPUBLIC FILMS: WAKE OF THE RED WITCH, THAT'S MY MAN, THE QUIET MAN, MOONRISE, I'VE ALWAYS LOVED YOU and SANDS OF IWO JIMA.
    They were wonderful films.

  • John Darsam

    Congratulations to REPUBLIC PICTURES on its 75th anniversary. Many thanks also to Mr. Herbert Yates, the production crews, directors, actors, special effects personnel especially the Lydecker Brothers, and the entire studio staffs, all who made what REPUBLIC PICTURES was, is, and still remains today, a source of wonderful entertainment for all ages.

    Is anyone aware of the existence of a complete library of REPUBLIC PICTURE films that can be sourced for purchase? I have many serials in my library, but I suspect there exist secret film and serial gems out there just waiting for viewing once again by an appreciative audience.

  • Michael Williams

    It was Great to see MS Leslie, She has always been My favorite Actress. Republic has alot of great memories.

  • Patrick

    I'm surprised that no one mentioned the John Wayne film, The Fighting Kentuckian, which the Duke shared starring credits with Oliver Hardy from Laurel and Hardy fame. That was also a Republic Picture.

  • Gord Jackson

    As a kid growing up in the 40s, the Saturday afternoon matinee at the 520 seat Windsor Theatre in Hamilton, Ontario, Canada was the highlight of the week for me. To get a decent seat you had to be in line before 11:30 as the doors opened at 12:00 with the show starting at 12:15. There was always a serial, cartoon, news, four trailers and two features, one of which invariably arrived courtesy Republic Pictures. Ah yes, when that distinctive Republic trademark appeared and I knew, like everyone else in the sold-out theatre that "I was in for a good time."

    Today, I look back on those years with enormous fondness, the memories enhanced by accounts of the 75th anniversary celebration of the studio, Richard M. Hurst's excellent book, "Republic Studios: Between Poverty Row and the Majors" and that wonderful video documentary "Republic Pictures" which I often re-watch. I now possess a number of Rex Allen, Allan 'Rocky' Lane and many of the Roy Rogers westerns I so loved and still enjoy. Rogers was always my personal favourite, especially the William Witney directed series, with Roy Barcroft still the most memorable of all 'b' movie villains. Thank you for this article (which I have bookmarked) and thank you to all who showed up and to Leonard Maltin for his emcee work. Republic will always be my favourite of all the studios, major or minor.

    Cheers.

  • Eileen Ochsner

    Vera Ralston Yates was my Godmother and I'm sure if she were alive she would have gotten a kick out of this event. Bravo!

  • Jack Iman

    I grew up with the cowboy stars at Republic Pictures. Now 77 years old, the studio is so vivid
    in my mind. John Wayne was an early star there.
    Love to see those "old flicks" and I collect all I can find.
    Bravo Leonard Maltin.

  • Noel Bjorndahl

    I wish the best of the Republic Pictures were available on DVD in decent prints. They were among the best actioners ever made and many of them deserve preservation.

  • Diana

    Of the poverty row B-Movie makers, Repblic has always been one of my favorates. A better done western or low budget films.

  • John Stanaway

    I am an unregenerate movie serial fan, and Republic deseves kudos for DAREDEVILS OF THE RED CIRCLE, DICK TRACY VS. CRIME INCORPORATED, THE LONE RANGER, KING OF THE MOUNTIES and about a half dozen other technically superior cliffhangers. However, beyond some really great achievements in sound and a crackerjack special effects team, together with film editing as good as it got in the film industry, its efforts fall short on the plotting and sometimes in the casting. It is no wonder that Republic stopped making features around the end of the 1950s, when we compare their product to other studios that may or may not have survived to the present day. Universal produced a better serial product between 1936 and 1943 with better casting and superior plotting.

    With that said, I remember the marvelous Republic products of my childhood fondly with admiration for the style.

  • Marie

    I love the old Movies they were great and the Actors were awesome .no swearing or sex a kiss would fade to black out and you used your own imagination ,

  • Tom Morris

    Republic is "heaven." I own every single serial available at this time, either on DVD or VHS (which are quickly being converted to DVD) & several movies. Anyone interested in serials, contact The Serial Squadron on line. Also, BiggerBuford on e-bay has several on DVD. Good hunting.

  • don snyder

    When the Republic eagle hit the screen I knew I was in for some great action. I have been in the theatre business for 60 years and I have seen many studios come and go. Republic's production values were better in the 40's and 50's than most of the junk they are making today.We brought Ben Johnson and Harry Carey Jr. here for a film festival and they talked a lot about Republic and what a great place it was to work. I really miss Republic, RKO and even little Monogram.

    • Ratih

      chan filme akihre pixar baram delchasb naboode,in ham shayad azin ghaziye mostasna nabashe???? ???????? ???? ?? ????? ??? ??, ???? ?:?? ?.?:??????? ?????? ??????

  • Pingback: Roy Rogers: Under California Stars | MovieFanFare

  • Pingback: Superman: Is George Reeves the Best Man of Steel? | MovieFanFare

  • Kaylie

    Hey, good to find soenome who agrees with me. GMTA.

Read More Posts From…