03.22.10 | guest-blogs | FanFare GuestsPrint this Post
Tags: Anthony Perkins
Guest blogger Kate Gabrielle writes:
About nine years ago I saw The Man with the Golden Arm for the very first time. I was only a year or so into being a huge movie fan, and so for almost every film I watched I was seeing the stars acting for the first time. My first encounter with Eleanor Parker was as a conniving, deceitful, whining, nagging wife to Frank Sinatra -- who was the be-all and end-all of my movie obsession at the time. Having seen none of her other performances, I immediately determined that she was a conniving, deceitful, whining, nagging person and I'd avoid all of her films from there on in.
What I failed to realize at the time (don't worry, it didn't take me nine years to discover this) was that if an actor irritates you, creeps you out or disgusts you in a movie it might just mean that they are a really good actor, perfectly playing the role in which they were cast.
The character of Zosh in The Man with the Golden Arm is supposed to be hated by the audience-- she is supposed to be low and despicable. And Eleanor Parker did a marvelous job of portraying that. But because of my sheer ignorance, I assumed that Eleanor Parker was Zosh.
Each of us probably has had this happen with one or two actors -- sometimes it's simply a subconscious association of an actor with a specific part that turns us away from their entire filmography. Sometimes we assume that an actor or actress exhibited the traits they portray in film in real life -- for instance, many people are usually shocked to find out that Boris Karloff was a real teddy bear of a man offscreen-- one of the sweetest Hollywood has ever seen -- because he was typecast as monsters onscreen.
In my experience, the one person who has become a victim to this psychology more than anyone else is Anthony Perkins. His name goes hand in hand with Psycho-- mention it and people automatically picture him wearing a grey wig and a matronly stuffed dress, or wrapped in a blanket with a fly buzzing around his head. Unfortunately, this mental roadblock prevents people from realizing what an amazing actor he was. He played Norman Bates so well that the character seemed real. But watch him in Goodbye Again, playing a totally different sort of man, and you'll see no trace of Hitchcock's villian.
Another fine example is James Mason. He was awfully good at playing the creepy guy in Lolita and Georgy Girl, but he was equally adept at playing relatively normal characters in The Wicked Lady, Julius Caesar and Odd Man Out. It is because he was such a fine actor that his performance in Lolita is believable. In reality, Mason was a caring, sweet man with an enormous soft spot for animals. He and his wife co-wrote a now out of print book called "The Cats in Our Lives" -- something I'm dying to own one of these days!
In the end, I think we need to realize - and remind ourselves- that the people in the movies we watch are actors. They are reading a script and performing. If their character is dastardly, or even sticky-sweet, that doesn't neccessarily mean that they were in real life. And if they play a psychopath in one film, it doesn't mean that they will in all of their others.
This doesn't mean we can't not like certain performers... I for one have at least a dozen or so least-favorites. But I've watched their films often enough to realize that it is them -- their mannerisms, their style of acting or their personality that bothers me-- not the character they were playing.
You might discover more fantastic actors and actresses out there, if you just keep in mind that Eleanor Parker was not Zosh, Boris Karloff was not Frankenstein's monster, James Mason was not Humbert Humbert and Anthony Perkins was not Norman Bates.
Kate Gabrielle is an artist and classic film blogger who writes on Silents and Talkies. She enjoys watching movies, especially featuring Barbara Stanwyck or Dirk Bogarde, with a cup of grapefruit juice and a cat nearby. For more information, visit http://silentsandtalkies.blogspot.com

I personally know an individual who has this thing about associating an actor's character with his real-life personality. Anthony Hopkins being the example. This certain person literally despises the actor because he has become so wrapped up in the character Anthony plays as Hannibal in "Silence of the Lambs". I told this person as well that obviously actor Anthony Hopkins has managed to play the character of Hannibal well.
SG
Glad you singled out GOODBYE, AGAIN as an example of Perkins' range. Philip Van Der Besh is very much the flip side of Norman Bates (although there are moments in the film which, intentionally or not, seem almost to trade on his post-PSYCHO notoriety, as when, early on, his pursuit of Ingrid Bergman is almost stalker-like). Even in his first film, THE ACTRESS (as Jean Simmons' would-be suitor) his work stands out.
As for James Mason, I'd also give a nod to A STAR IS BORN for some of his best moments on film.
Karloff played The Monster not Frankenstien. Except when he played a descendent of Dr. Frankenstien in Frankenstien 1970 and The voice of Dr Frankenstien in Mad Monster Party. You are right about actors being associated too much with a Single role. We must really look at the whole body of work. Another Actor who was such a Gentle soul but played all sorts of demented characters was Peter Cushing.
Ref, James Mason: The real Julus Ceasar was kind of creepy (I imagine).
I made this comment on Facebook, too. Perkins was compelling as young sheriff in Anthony Mann's The Tin Star with Henry Fonda. I recommend that even for those who don't usually care for westerns. An overlooked picture a Movies Unlimited staff member recommended to me.
Perkins was effective in On the Beach, too, as a young naval officer. Played well with Gregory Peck--no small feat.
If anybody wants to see Anthony Perkins and James Mason in the same movie, I very highly recommend ffolkes (not a typo), starring Roger Moore. Perkins plays the leader of a group of terrorists who... (that would be telling.)
One of my all time favorite movies is Friendly Persuasion with Perkins as part of a Quaker family during the American Civil War.
Kate, there is a copy of the book "The Cats in our LIves" at alibris.com
http://www.alibris.com/booksearch?qwork=972211&matches=1&keyword=the+cats+in+our+lives&cm_sp=works*listing*title
Enjoy!
all good sentiments about TOny - but he was a great Norman Bates - I recall I changed my hair-style and clothes to look like him - not the character - but the actor when this movie cam out. Freaked my parents out, it did.
Talk about an actor being associated with a character they played in a movie. What about poor Bruce Dern who will always be known as the one who killed an American hero...John Wayne.
James Mason, to be sure, could go either way as far
as range goes. See him play the unflappable cool
villain in "North by Northwest"; then, without batting an eye, do a suave and romantic impresario
in "The Story of Three Loves." Such acting technique
is missing in today's actors.
Don't forget art expert Vincent Price who became trapped into more horror movies than he may care to remember.
When 3-D tv and blu-ray become more commercial, let us hope that the studios will quickly release Price's House of Wax in the third dimension.
To see a more sensitive and caring side of Anthony Perkins, one should watch "On the Beach". Perkins is a loving husband facing the decision of humanely euthanizing his wife, his baby, and himself to avoid the devastating results of radiation poisoning after a nuclear attack has killed the rest of the world except Australia and New Zealand. He is also most believable as Jimmy Piersoll, the baseball player that has a nervous breakdown in “Fear Strikes Out”. In “Goodbye Again” and “Five Miles to Midnight”, he terrorized Ingrid Bergman and Sophia Loren, respectively, with his murderously possessive behavior. Watch his facial expression and the joy he seems to get by scaring and hurting these actresses.
As a child, I feared and hated Ernest Borgnine, because of his graphic portrayal of sadistic bullies in "From Here to Eternity" and "Bad Day at Black Rock". It wasn't until I saw him in the "McHale's Navy" television series that I realized he wasn't a monster after all. And, of course, he played a very vulnerable and sensitive human being in "Marty".
Davis in Dearest got to me. I still won't watch her other films. Too close for comfort with my relation.
ps. She wasn't acting
I agree. I was ranting to a friend about actor James Woods and how evil he was. The stronger the emotion evoked, the better the actor. There is a difference between actors and their roles.
Another neglected film with Tony Perkins: Phaedra, in which he plays opposite Melina Mekouri (sp?) as the stepson who falls in love with his stepmother. The ancient play is set in modern times, and my son noted that it was even darker than the original. His performance starts with a fairly light touch and progresses until he pulls out even more stops than in Psycho. A wonderful actor altogether.
My shocker was Fred MacMurray. I saw him as a kid in My Three Sons ,Flubber,etc. I later saw him as a great dramatic actor in films such as Double Indemnity.
Go waaaaay back and watch Perkins with Jane Fonda in Tall Story
I WOULD LIKE TO KNOW ABOUT NEVILL BRAND.
[...] and completely engrossing on a variety of levels. The story concerns a man, played perfectly by Anthony Perkins (article), who wakes up one morning to find officers in his room who inform him that he’s under [...]
I don't ever associate actors with the parts they play on screen - that hasn't been a problem for me. However, after seeing Ryan Gosling in Murder by Numbers, I just couldn't watch him in anything else for awhile. I didn't assume he himself was a violent psychopath, but I couldn't get over that image of him in my head and watching The Notebook was just weird for me.
What made Anthony Perkins so good was the fact that he didn't look horrible but childish and friendly. He personality is the saying 'you can't judge a book by its cover'. No one else could have done Norman Bates better.
The same goes for James Mason in 'North by Northwest'. He too has a pleasant personality on the outside, but under his skin he had an evil mind. Most scary people I've met in life had a pleasant personality, but...
Look at some of the politicians (I will not mention names) are complete different than their looks.
ANTHONY PERKINS = NORMAN BATES!!!