Guest blogger Rick29 writes:
This superior 1971 science fiction outing pits four dedicated scientists against a microscopic menace capable of destroying all life on Earth. Its critics have labeled it slow-moving and overlong, but I find it intellectually exciting. Its thrills come not from action sequences (though there’s doozy at the climax), but from the time-sensitive need to determine: What is The Andromeda Strain? How can it be destroyed? Why did a 69-year-old man and a six-month-old baby survive when Andromeda wiped out a New Mexico town of 68 people?
The scientists converge on Wildfire, a top-secret biological threat containment lab in Nevada, when a satellite returns to Earth with an unknown (alien?) organism. The Wildfire team consists of: Jeremy Stone (Arthur Hill), the leader; Ruth Levitt (Kate Reid), the cynic; Mark Hall (James Olson), the passionate physician; and Charlie Dutton (David Wayne), the skeptic who wonders if their goal should be destroying Andromeda. You could say that there’s a fifth member of the team and that’s the Wildfire lab itself. One of my favorite scenes in the movie is a virtual tour of the five-level, underground facility as the team goes through decontamination and immunization procedures.
Director Robert Wise divides the film into two parts. The first half details the recovery of the satellite and the discovery of what it has done to Piedmont, New Mexico. There’s a chilling scene in which Stone and Hall explore the ghost town of dead bodies. As Hall cuts a vein on one of the corpses, powdered blood pours out—an indication of what Andromeda does to its victims. The second half of the film shifts the action to Wildfire, where the scientists turn detective and try to solve the mystery of why the old man and the baby survived.
Part of the appeal for me is that The Andromeda Strain includes one of my favorite plot devices: the forming of a team in which each member is introduced to the audience (I call this the Robin Hood theme since that’s the first film I can remember that used it). I also admire how Wise uses scrolls at the bottom of the screen to convey the time and locale. It’s an obvious device now, but The Andromeda Strain may have been one of the first films to use it.
Surprisingly, Wise was not a science fiction specialist, though he also directed the splendid The Day the Earth Stood. He was equally at home with musicals (The Sound of Music, West Side Story), horror (I Walked with a Zombie), and psychological drama (The Haunting). He spent the early 1940s as a editor, working on films such as The Hunchback of Notre Dame, Citizen Kane, and My Favorite Wife. I think that experience provided him with insight into the pacing of a film narrative. In The Andromeda Strain, he takes a documentary-like, scientific drama and turns it into an exiting, time-driven mystery–that’s no easy feat.
The lack of well-known stars also works to the film’s advantage. The nominal star, Arthur Hill, forged his career in television, guest starring series such as The Fugitive, Alfred Hitchcock Presents, and The Defenders. In the 1970s, he finally got his show as Owen Marshall, Counselor-at-Law, an above-average legal drama that ran on ABC for three seasons. On the big screen, Hill’s most significant role prior to Andromeda was as Paul Newman’s friend in Harper.
I first saw The Andromeda Strain as a teenager with my sister and best friend. I remember liking it, especially the ending. However, it wasn’t until I saw it on television many years later that it became one of my favorite movies.
Rick29 is a film reference book author and a regular contributor at the Classic Film & TV Café, on Facebook and Twitter . He’s a big fan of MovieFanFare, too, of course.