“Staff Notes” Archive
Gary Cahall | Staff Notes
Those of us who consider ourselves die-hard movie fans (not to be confused with fans of the Die Hard movies) might like to think that we'd do anything to meet our screen heroes. That bar was raised considerably in 2008's Slumdog Millionaire, when title protagonist Jamal remembers how, as a boy growing up in impoverished Mumbai, he once escaped from a locked outhouse by diving down into and wading through piles of...well, what they build outhouses for, so that he could see and get the autograph of Bollywood film star Amitabh Bachchan. That, dear readers, is dedication, and while Bachchan didn't play himself in Slumdog, it gave American audiences a glimpse of the fervent devotion the actor known as "the Big B" has built up in his native India, across South Asia, and around the world in his 40-plus-year body of work. Everywhere, that is, except here.
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Gary Cahall | Staff Notes
In last week's opening part of my tour of Lewis Carroll's Wonderland--or, at least, the myriad movie depictions of it--I introduced you to silent Alice in Wonderland shorts and features; Walt Disney's '20s Alice in Cartoonland series and his eventually abandoned plans for a similar live-action/animated film with silent screen icon Mary Pickford; Paramount's star-crammed (Cary Grant in a turtle suit?) but unsuccessful 1933 comedy; and producer Lou Bunin's offbeat 1949 adaptation that mixed live actors with stop-motion puppets, but whose distribution met with legal problems due to none other than Disney himself. Now, settle back with a little more tea...or, if you have none, a little less tea...and let's continue our journey through the looking glass.
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Brian Sieck | Staff Notes
Yes, it’s time once again for the Academy Awards. The Oscars will hold their 82nd annual event on Sunday, March 7, and one can’t help but wonder what amazing film or performance won’t get the recognition it deserves. After all, throughout Oscar history, it has happened many times. Too often, the Academy of Motion Pictures Arts and Sciences has bestowed their golden trophy upon someone who perhaps did not quite deserve the honor over one of their fellow nominees. A few such examples will be illustrated here. Now, in the interest of narrowing down many of the illustrious Academy’s various snubs over the years, I will concentrate solely on acting categories. Additionally, only roles that were actually nominated for the award will have a case made for them.
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John Tartaglia | Staff Notes
If you are looking to improve your chances in the office Oscar pool, you now have the chance to see some very clever and creative shorts. (And they don't belong to Senator Scott Brown!) The Academy Award nominees for Best Short Film, Animated and Best Short Film, Live Action are currently playing in select theatres around the country. I recently saw the five nominees in each and was blown away. Now a category I was never really interested in will become a "must see" each year.
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Jason Marcewicz | Staff Notes
When it comes to movie posters, what can one wrong letter do? It can change everything. See for yourself…
What a Rush!

2012
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Gary Cahall | Staff Notes
Last fall, on this very web site, I wrote a pair of articles detailing the various cinematic and TV depictions of The Wizard of Oz over the past 100 years or so (take a look for yourself, they're still there: The Wizard Of Oz In Film Prior To 1939 and The Wizard Of Oz In Film And TV Since 1939). What I found was a century of good and bad adaptations that generally followed L. Frank Baum's story...but that often also would graft bits from it and his other books together, shoehorn in song-and-dance sequences, and fill the cast with name actors whose already established personae overwhelmed the characters they were supposed to be portraying. Well, Dorothy Gale of Kansas wasn't the only fantasy literature heroine whose exploits would be thus put through the Hollywood ringer.
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George D. Allen | Staff Notes
Quick: You’re about to be stranded on a desert island…and you can only take 10 movies with you. What movies are making your cut? Will they be your “Top 10” favorites? Will they be movies that you feel best represent “you”? Will you be bringing any movies along for the family? Let’s assume all other creature comforts are normal, so you don’t have to worry about going into Stephen King-style, “Survivor Type” mode. You can go alone, or bring your friends and family. But only 10 movies can come with you. It’s time to make your Dewar’s Profile, take your Rorschach test, call it whatever you will.
Here are my choices, in alphabetical order:
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Ed Weiss | Staff Notes

A radio personality in Philadelphia was recently reviewing the work of Joe Pesci. He ignored Pesci’s comedic roles, instead focusing on his many “mob” turns in films such as Casino and Goodfellas. Big mistake. Pesci has played many funny characters, including one of the best in the last 20 years, one Vincent LaGuardia Gambini in My Cousin Vinny.
Make no mistake about it. Pesci portrays the same greasy Italian-American role that he does in the mob films. However, this time he’s a bumbling just-passed-the-bar-after-six-tries New York (Brooklyn, actually) lawyer who is called on to defend his cousin (Ralph Macchio) and the cousin’s friend against an unjust murder rap in the sticks of Alabama. Pesci is at is cussin’ best as he goes in and out of jail while trying to learn the ropes of the legal system under prim and proper Judge Chamberlain Haller (Fred Gwynne).
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Brian Sieck | Staff Notes
“One thing for sure, love stinks,” says the J. Geils Band, and they couldn’t be more right. Tinseltown has certainly made its fair share of films that are the antithesis of romance over the years, from the Academy Award-winning Kramer vs. Kramer to the comedy favorite The War of the Roses. While scores of consumers will be out and about on February 14, celebrating the forced love trap and completely invented retail holiday known as Valentine’s Day, I thought it would be fun to laud an Anti-Valentine’s Day movement. It’s with that in mind that I present this smattering of favorites (spanning both comedic and dramatic genres, excluding any film that involves murder however, because that would just be cheating) that basically conveys that when it comes to love, sometimes it’s just better to be alone.
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George D. Allen | Staff Notes
Hollywood Nostradamus (a friend on the outside who alerted me to the existence of this marvelous Steven Seagal program some time ago) pointed me towards these, and since his sentiments about the following exactly mirror my own, I might as well quote him directly.
You all know and love Charles Bronson from such classics as Chato's Land and The White Buffalo. You all know my affection for the man who used to wear his sister's clothes to school. But what you are about to see will shake you to the core. Perhaps the greatest collection of video ever presented (aside from the Atene audition tape), these not only hold up to repeated viewing, they utterly demand it. More drama than a Chekhov play, more joy than a Tesh concert, more heart than a Drew Barrymore movie. I give you...MANDOM:
More brilliance, below:
John Tartaglia | Staff Notes
gleek (noun): a person obsessed with the TV show Glee
Golden Globe, People's Choice and Screen Actor's Guild winner Glee was first introduced last May on Fox after the American Idol finale and quickly created major buzz. Part soap opera (dual pregnancies and dual love triangles figured big in the first part of the season), part Broadway karaoke, and all parts exuberant fun, Glee along with ABC’s wry Modern Family became the “must watch” of the 2009/2010 TV season. Set at Lima, Ohio’s William McKinley High School, the show tells the story of teen misfits trying to find their place in their school and the world while participating in a show choir named New Directions.
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Gary Cahall | Staff Notes
In the spirit of the new year, let's take a moment to think about actors and their first film roles. While it is certainly an accomplishment to win over an audience right out of the gate--the way that, say, Lauren Bacall in To Have and Have Not, Burt Lancaster in The Killers, Kathleen Turner in Body Heat, or Cameron Diaz in The Mask did--it's an even more impressive feat to have a notable Hollywood career when your "big break" came with a, shall we say, not well-received turn. This is not to suggest that any of the ten performances that follow were necessarily bad (but, let's face it, some of them were), just that any filmgoer might have had a hard time imagining the mighty oaks that eventually grew from these cinematic acorns.
(NOTE: It's also true that a lot of today's popular stars got their starts in '80s and '90s horror/sci-fi films. So many--Jennifer Aniston, Johnny Depp, Leonardo DiCaprio, Tom Hanks, Holly Hunter and Julianne Moore, among others--in fact that I'm skipping over them for this list to concentrate mostly on other genres.)
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