{"id":15843,"date":"2011-09-26T06:00:08","date_gmt":"2011-09-26T10:00:08","guid":{"rendered":"http:\/\/www.moviefanfare.com\/?p=15843"},"modified":"2011-09-23T14:19:31","modified_gmt":"2011-09-23T18:19:31","slug":"the-bank-dick","status":"publish","type":"post","link":"https:\/\/www.moviefanfare.com\/?p=15843","title":{"rendered":"The Bank Dick: Classic Movie Guest Review"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" title=\"The Bank Dick\" src=\"http:\/\/grandoldmovies.files.wordpress.com\/2011\/04\/bankdick.jpg\" alt=\"The Bank Dick: Classic Movie Guest Review\" width=\"157\" height=\"240\" \/>Guest blogger Elizabeth writes:<\/p>\n<p>Probably <a title=\"W.C.\u00a0Fields\" href=\"http:\/\/www.moviesunlimited.com\/musite\/findresults_title_smart.asp?search=W.C.%c2%a0Fields\" target=\"_blank\" rel=\"nofollow\">W.C.\u00a0Fields<\/a>\u2019 best-known film, <a title=\"The Bank Dick\" href=\"http:\/\/www.moviesunlimited.com\/musite\/product.asp?sku=D65631&amp;loc=buzzsearch\" target=\"_blank\" rel=\"nofollow\">The Bank Dick<\/a>, produced by Universal,\u00a0is usually considered his greatest effort onscreen. William K. Everson writes that it is \u201cquite possibly his finest work,\u201d and that \u201cit is even less concerned with plot than was usual with Fields.\u201d What little story it has is about Egbert Sous\u00e9 (note the accent on that final \u2018e\u2019), the town\u2019s most dedicated drinker, with a nagging family that drives him to it, who accidentally foils a bank robbery. As a reward he\u2019s made the bank\u2019s resident detective (the film title\u2019s literal meaning), protecting the premises from such terrors as small boys with cap pistols. Along the way, Sous\u00e9 directs a movie when the film company\u2019s director gets drunk; slips a Mickey Finn into a suspicious bank examiner\u2019s drink; and by sheerest chance foils a second robbery when he happens to be in the wrong place at the right time. The film climaxes with one of the most wild and woolly car chases ever filmed, Sous\u00e9\u2019s vehicle progressively losing its front hood, windshield, hand brake, steering wheel, and tires (\u201cthe resale value of this car,\u201d he mutters at one frantic point, \u201cis gonna be nil after you get over this trip\u201d), before everything is wrapped up in a comically ironic ending. <a href=\"http:\/\/grandoldmovies.files.wordpress.com\/2011\/04\/imagesshemp.jpeg\" target=\"_blank\" rel=\"nofollow\"><\/a><!--more-->The Bank Dick is noteworthy for combining Fields\u2019 two personae, the harassed family man and the larcenous con-artist, in one character. Sous\u00e9\u2019s all-female kinship group here (\u201cthe Fields family to end them all,\u201d says Everson) rounds on our hero at every turn for his drinking and smoking habits, while also indicating their paradoxical respect for his standing as titular family head (when the smaller daughter wants to throw a rock at her pater, her mother stops her with the question, \u201cWhat kind of a rock?\u201d). When not avoiding his kinsfolk, Sous\u00e9 is persuading his son-in-law-to-be (Grady Sutton) to embezzle the bank where they both work for funds to buy a beefsteak mine, or he\u2019s luring the upright bank examiner (Franklin Pangborn) into a disreputable saloon out of equally discreditable motives. The film is a treasure trove of those odd names with which Fields loved to endow his characters, such as Filthy McNasty, Repulsive Rogan, Og Ogilby, and J. Pinkerton Snoopington, while also showcasing a sterling collection of such beloved eccentric character actors as <a title=\"Franklin Pangborn\" href=\"http:\/\/www.moviesunlimited.com\/musite\/findresults_actor_smart.asp?search=Franklin+Pangborn\" target=\"_blank\" rel=\"nofollow\">Franklin Pangborn<\/a>, <a title=\"Grady Sutton\" href=\"http:\/\/www.moviesunlimited.com\/musite\/findresults_actor_smart.asp?search=Grady+Sutton\" target=\"_blank\" rel=\"nofollow\">Grady Sutton<\/a>, <a title=\"Jack Norton\" href=\"http:\/\/www.moviesunlimited.com\/musite\/findresults_actor_smart.asp?search=Jack+Norton\" target=\"_blank\" rel=\"nofollow\">Jack Norton<\/a>, Jesse Ralph, <a title=\"Pierre Watkin\" href=\"http:\/\/www.moviesunlimited.com\/musite\/findresults_actor_smart.asp?search=Pierre+Watkin\" target=\"_blank\" rel=\"nofollow\">Pierre Watkin<\/a>, <a title=\"Jan Duggan\" href=\"http:\/\/www.moviesunlimited.com\/musite\/findresults_actor_smart.asp?search=Jan+Duggan\" target=\"_blank\" rel=\"nofollow\">Jan Duggan<\/a>, and in-between Stooge Shemp Howard as a helpful bartender.<\/p>\n<p><a href=\"http:\/\/grandoldmovies.files.wordpress.com\/2011\/04\/bankdicklobby-01.jpg\" target=\"_blank\" rel=\"nofollow\"><\/a>But perhaps the best thing about The Bank Dick is that it gives us, as the contemporary Time magazine review said, \u201c74 minutes of almost clear Fields\u2014as much a one-man show as the fences of cinema formula will allow.\u201d The film is Fields pared to his essence; Louvish notes that it \u201chas the greatest density of Fieldsian lines and dialogue,\u201d and that Sous\u00e9 is \u201cmade out of the building blocks of so many previous characters.\u201d The Bank Dick also unabashedly celebrates the joys of shiftless behavior (\u201cEver do any boondoggling?\u201d Sous\u00e9 asks a fellow barfly). Until the bank offer, Sous\u00e9 has no regular job, but spends most of his time at his favorite drinking hang-out, the Black Pussy Cat Caf\u00e9 (which, with typical Breen-Office-defying relish, Fields throughout refers to only as The Black Pussy). What Knight wryly described as Fields\u2019 personification of \u201cthe very antonym of every Boy Scout virtue,\u201d is perfectly caught in this film.<\/p>\n<p>This film, like Fields\u2019 other movies, has no moral (unless you count the concluding warning from <a title=\"The Fatal Glass of Beer\" href=\"http:\/\/www.moviesunlimited.com\/musite\/product.asp?sku=D77053&amp;loc=buzzsearch\" target=\"_blank\" rel=\"nofollow\">The Fatal Glass of Beer<\/a>\u2019s song, \u201cDon\u2019t go round breaking people\u2019s tambourines,\u201d as a valuable maxim by which to live life). At film\u2019s end, Sous\u00e9 has won riches, respect, and family happiness (drinking and smoking are now, if not tolerated, then winked at), not by any honest effort but merely by being himself. Like all of Fields\u2019 characters, Sous\u00e9 is a rugged individualist\u2014he<img loading=\"lazy\" decoding=\"async\" class=\"alignright\" title=\"The Bank Dick lobby card\" src=\"http:\/\/grandoldmovies.files.wordpress.com\/2011\/04\/bankdicklobby-01.jpg\" alt=\"\" width=\"346\" height=\"269\" \/> lives his life as he wants to, no apologies made, no quarter given. Robinson points out that Fields became an improbable icon during the social rebellion of the 1960s, when \u201chis black, brutal and fantastic humour\u201d embodied a \u201cstartling modernity.\u201d Times have certainly changed. One wonders today how Fields\u2019 rambunctious, ornery individualism, in this age of upwardly mobile career path-conformity and the 24\/7 office, as well as of nanny-state regulations that oversee so many aspects of drinking, smoking, and eating, would survive. Fields himself died on (of all days) Christmas Day in 1946. Though The Great Man himself is gone, his movies, and their comedy, live on, to delight the lurking individual in all of us.<\/p>\n<p><a href=\"http:\/\/grandoldmovies.wordpress.com\/2011\/04\/21\/the-great-man-w-c-fields-and-the-curmudgeonly-virtues\/\" target=\"_blank\" rel=\"nofollow\"><em>Click here<\/em><\/a><em> to read the entire piece about W.C. Fields that this post was excerpted from.<\/em><\/p>\n<p><em><a href=\"http:\/\/grandoldmovies.wordpress.com\/\" target=\"_blank\" rel=\"nofollow\">Grand Old Movies<\/a> writes about Hollywood\u2019s golden age films that, while maybe not the most famous or f\u00eated, are amongst our personal favorites\u2013movies we think have been overlooked or deserve a second look. The site looks at a wide range of genres, including westerns, horror, film noir, comedy, musicals, melodramas, and (a particular favorite) the Hollywood Biblical Epic. And it\u00a0tries to give you background on the films, as well as an analytical look at what makes them tick.\u00a0The\u00a0site&#8217;s\u00a0emphasis is on films with a kind of energy, style, or even outrageousness that the writers think qualifies them as\u2013well, Grand Old Movies.<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guest blogger Elizabeth writes: Probably W.C.\u00a0Fields\u2019 best-known film, The Bank Dick, produced by Universal,\u00a0is usually considered his greatest effort onscreen. William K. Everson writes that it is \u201cquite possibly his finest work,\u201d and that \u201cit is even less concerned with&#8230;<\/p>\n","protected":false},"author":28,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[11],"tags":[1442],"coauthors":[],"class_list":["post-15843","post","type-post","status-publish","format-standard","hentry","category-movie-articles","tag-1940s-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Bank Dick: Classic Movie Guest Review<\/title>\n<meta name=\"description\" content=\"The Bank Dick, the 1940 comedy starring W. C. Fields is reviewed. W. C. 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