Classic 1930s movie reviews, movie articles and information. Movie reviews from classic movies from 1930 to 1939, the Golden Age of Hollywood.
His Revolutionary War-era ride isn’t as famous as Paul Revere’s, but Delaware’s Caesar Rodney was the hero of an Oscar-winning–if not 100% accurate–1938 short. For the Shorts! Blogathon, MovieFanFare looks at Warner Bros.’ The Declaration of Independence.
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Seven years before starring as Knute Rockne, All American, Pat O’Brien played another gridiron guru in College Coach. Guest writer Laura Grieve tackles the 1933 Warner Bros. pre-Code drama, which also features Dick Powell and Ann Dvorak.
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Since this week marks the anniversary of his groundbreaking tough-guy turn in The Public Enemy, James Cagney is the focus of this classic salute to the pugnacious Oscar-winner, who was as quick on his feet (Yankee Doodle Dandy) as he was with a gun (White Heat).
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In 1920s Hong Kong, Greta Garbo is torn between her husband, doctor Herbert Marshall, and British attache George Brent in The Painted Veil. Guest writer Danny Reid examines the 1934 MGM melodrama, based on a W. Somerset Maugham novel.
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Laurel and Hardy, Jimmy Durante, The Three Stooges and even Mickey Mouse were among the “guests” at MGM’s 1934 comedy Hollywood Party. For the Pre-Code Blogathon, MovieFanFare invites itself in to see if it’s a party worth attending.
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The travails of a family in strife-torn 1920’s Dublin were the focus of Alfred Hitchcock’s 1929 drama Juno and the Paycock. As part of the Luck of the Irish Blog O’Thon, MovieFanFare reviews this early Hitchcock effort, based on a Sean O’Casey play.
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Remember Dr. Jekyll and Mr. Hyde (1941)? The one starring Spencer Tracy? It’s better than its reputation. Let’s talk about why.
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With such films as Dracula and Frankenstein, Universal Pictures set the tone for 1930s horror cinema, but other studios sometimes matched–or beat–them in scares. Read about Island of Lost Souls, Mad Love and eight more shock classics.
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Joel McCrea and Fay Wray are the quarry on deranged big-game hunter Leslie Banks’ island home in The Most Dangerous Game. Guest writer Barry P. is hot on the trail of this classic 1932 thriller from King Kong co-director Ernest B. Schoedsack
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Guest writer Todd Liebenow looks at the 1934 Warner Bros. drama Massacre, one of Hollywood’s first films to depict contemporary Native Americans life…but still featuring a white actor (Richard Barthelmess) in makeup as the Sioux protagonist.
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