Robby the Robot

Forbidden Planett RobotI have always liked sci-fi, even the early stuff.  Or maybe, especially the early stuff.  I was talking with a friend and he mentioned Robby the Robot from Forbidden Planet (1956).  The movie is a classic of early sci-fi, with effects that are better than you would expect for the 1950s, and Robby was a technological wonder.

Forbidden Planet starred Walter Pidgeon (1897 – 1984) who was born when Jules Verne (1828 – 1905) was still alive, and Anne Francis (b. 1930) ,who put the Honey in “Honey West.”  Other stars included Leslie Nielsen (1926 – 2010) before he discovered he was really a comedian, Jack Kelly (1927 – 1992) who played Bart Maverick, and Earl Holliman (b. 1928) who was in everything in the 1950s and 1960s.

Robby the Robot has 26 titles to his credit on IMDb.  He was built at a cost of $125,000 for Forbidden Planet (1956) and The Invisible Boy (1957).  But he was too talented to just sit in a prop department warehouse.

He started showing up on TV series like The Thin Man with Peter Lawford, and The Gale Storm Show in the 1950s.  In the 1960s he was on Hazel, The Many Loves of Dobie Gillis, a couple of episodes of The Twilight Zone, and The Addams Family.  He appears in two episodes of Lost in Space where he gets to work with his younger brother, Robot B-9 (b. 1965).

Perhaps it was embarrassing, but he played Mildred on The Banana Splits Adventure Hour.  He went on to redeem himself on Columbo and Mork and Mindy all in the 1970s.

He made a few more movies, including Gremlins (1984) and Earth Girls are Easy (1988).  His last listed work was in the Pamela Anderson (b. 1967) TV series Stacked in 2005.

I’m sure Robby isn’t done working yet, but CGI can create much more realistic/terrifying/unusual robots.  Keep watching.  And enjoy the picture of Robby in his prime!

Allen Hefner has been interested in movies since an early age, attending the Keswick Theatre in Glenside, PA for every Saturday Matinee during his youth, when 50 cents bought you a two-reeler (usually The Three Stooges or Laurel and Hardy), a few cartoons, and a feature film. As a member of The Sons of the Desert,he was privileged to enjoy the company of many film buffs, and to meet many stars of the past. Write to him anytime at bitactors@gmail.com and visit Bit Part Actors.

  • Rick Cadona

    I can’t believe that it cost $125,000 in 1950′s money to create a costume that a man wore. He was not a real robot, but a man in a suit. What is that today like a suit costing $1,000,000? Don’t get nme wrong, I liked the look, but that can’t be the 1950′s price tag.

  • Allen Hefner

    The cost was listed in the Robot Hall of Fame:
    http://www.robothalloffame.org/04inductees/robby.html
    as being in 1956 dollars. I have no way of confirming it. Hey, if you see it on the Internet, it must be true!

    BTW, full size copies are available at Hammacher Schlemmer for just $49,999.95.

  • pat362

    I disagree with this particular line in what Allen wrote:
    “I’m sure Robby isn’t done working yet, but CGI can create much more realistic/terrifying/unusual robots”

    There is no arguing that CGI can make everything that he wrote but can you truly hug a CGI robot? I still remember that scene in forbiden planet where Ann Francis’s character hugs Robby after he offers to make her a diamond studded dress. It’s a simple gesture but from it you are able to get a sense of affection between Altaira and Robby. Replace Robby with pure CGI and no matter how good the effect. At best the actor is hugging a person wearing a green outfit with a bunch of reflectors. It’s really hard to show affection to a CGI and I think that’s what we lost with the introduction of only CGI movies. How many movies have we seen in the last decade that were almost all CGI and the interaction between charaters leaves you cold? I think that CGI is one of the main reasons why the 3 Star Wars Prequel are so bad.

  • Allen Hefner

    Thanks, Pat. Of course, being an O.F., I have to agree with your opinion. I bet the movie studios that make the decisions won’t. It was nice to see Tim Burton refuse CGI for Nightmare Before Christmas (1993) and insist on stop motion.

    Also, watch the Michael Rennie version of The Day the Earth Stood Still from 1951, and compare it to the 2008 copy starring Keanu Reeves. 2008 was dazzling, 1951 was (IMO) more believable. But these days, ‘dazzling’ sells movie tickets.

    Next up, the remake of TRON from 1982. Lets see how TRON: Legacy looks in comparison. It will be released on Dec 17, 2010. The original used some early CGI, the new one will probably be…dazzling!