Paul Douglas: Underrated Performer of the Week

Paul DouglasA versatile actor equally at ease in comedy and drama, Paul Douglas‘ film career started at age 42 and lasted just 11 years.

Although he was interested in drama in high school, his early jobs centered around sports. After attending Yale, the Philadelphia native played professional football with his hometown’s Frankford Yellow Jackets. That led to radio gigs as a sports announcer and news commentator.

He made his Broadway debut in 1935 in the short-lived play Double Dummy. Eleven years later, he was back working in radio when Garson Kanin offered him the role of gruff scrap-metal tycoon Harry Brock in Born Yesterday. The comedy was a smash hit, running for 1642 performances over three years, and making stars of Douglas and his leading lady, Judy Holliday.

His film career started in 1949 with key supporting performances in A Letter to Three Wives and It Happens Every Spring. The latter, one of my favorite Douglas films, cast him as a likable baseball catcher on the St. Louis Cardinals. Ray Milland stars as a college professor who accidentally invents a formula that repels wood–so when he rubs it on a baseball, no one can hit the ball with a wooden bat. To earn money to marry his girl, Milland joins the Cardinals as a pitcher (it’s interesting to note that he cheats by using his formula on some pitches). When Douglas spots the formula in Milland’s locker one day, the pitcher tells him it’s hair tonic. That sets up one of the funniest scenes in this engaging film–and shows off Douglas’s marvelous skills as a comedian.

Paul Douglas It Happens Every Spring (1949)

Lead roles and key supporting ones quickly followed: he was a soft-hearted gangster in Love That Brute (1950); a New Orleans police captain who works with Richard Widmark to prevent an epidemic in Panic in the Streets (1950); a sharp-tongued baseball manager whose team receives heavenly help in Angels in the Outfield (1951); a fisherman involved with Barbara Stanwyck in Clash by Night (1952); and a businessman being blackmailed amid the corporate politics of Executive Suite (1954).

He played a corporate executive again in my favorite Douglas film: The Solid Gold Cadillac (1956). Paired again with Judy Holliday, Douglas plays a well-meaning CEO who doesn’t realize that his board of directors is fleecing the company’s stockholders. He and Holliday form one of the great screen couples. It’s a shame he didn’t reprise his Born Yesterday stage role opposite her. Allegedly, Douglas declined the part (eventually played by Broderick Crawford) because it was reduced for the 1950 film version. Douglas did, however, play Harry Brock in a 1956 TV broadcast of Born Yesterday opposite Mary Martin.

When Paul Douglas died of a heart attack at 52 in 1959, he was being considered for the Fred MacMurray role in Billy Wilder’s The Apartment (1960) and had just finished filming an installment of The Twilight Zone called “The Mighty Casey.” Series creator Rod Serlingnoted that Douglas hadn’t looked well during the production and, in light of the actor’s death, wanted to re-shoot it. When CBS balked, Serling used his own money to re-do the episode with Jack Warden in the Douglas role.

Paul Douglas was married five times. He walked down the aisle with actress Jan Sterling in 1950; they were still married at the time of his death.

Rick29 is a film reference book author and a regular contributor at the Classic Film & TV Café , on Facebook and Twitter. He’s a big fan of MovieFanFare, too, of course!

  • Kent Gravett

    One of his best, and a favorite of mine, is a film with Montgomery Clft about the Berlin Airlift to fight Russia’s cutting of Berlin entirely. It was The Big Lift, Good in many ways, particularly the location shots and use of real US Airmen. His character was a gruff man (sound familiar) who was tortured by the Germans when a POW and forced to learn German or be brutalized. He carried his hatred and prejudice to locate the guard who gave him a lasting injury. It involved shades of character he seldem was allowed to have. Very fine work and related to the film’s overall message.

  • Ron

    Paul Douglas was so good when cast opposite the gorgeous Linda Darnell as in LETTER TO 3 WIVES and EVERYBODY DOES IT. They were the perfect odd couple.

  • Chuck

    I always enjoyed Paul Douglas. He was excellent as the gruff man of the world but with a heart of gold, either in dramas or comedy. It is amazing how many major films he did in only an 11 year career. My favorite Douglas film was “Angels in the Outfield”, but he was excellent in all his films. On his last work, for the “Twilight Zone”, Serling had though Paul had been drinking, something he was well known for, but soon discovered he was very ill. I heard he was a baseball broadcaster on radio before his film career took off. It is a shame his career and life ended so soon.

  • http://twitter.com/Bryankr Bryan Ruffin

    My favorites were “The Solid Gold Cadillac” and “Angel In the Outfield”. I really liked the way they would run the recording backward in order to cover up the swear words he was supposed to be using in Angel. That was really creative!
    Judy Holiday was fantastic in Gold Cadillac! She was such a natural as a “straight man” to everything that was said and done in that movie. A true gem!

  • Ellie

    I loved him in The Mating Game with Tony Randall and Debbie Reynolds.

  • mike j

    there really was not one movie that I did not like him in. he was very likable. however my favorite was angels in the out field, and my least was clash by night.