{"id":8123,"date":"2010-04-14T06:00:51","date_gmt":"2010-04-14T10:00:51","guid":{"rendered":"http:\/\/www.moviefanfare.com\/?p=8123"},"modified":"2014-04-03T17:32:38","modified_gmt":"2014-04-03T21:32:38","slug":"the-asylum-imitation-is-their-sincerest-form","status":"publish","type":"post","link":"http:\/\/www.moviefanfare.com\/?p=8123","title":{"rendered":"The Asylum: Imitation Is Their Sincerest Form"},"content":{"rendered":"\n\n\n
\"Day<\/td>\n\"Snakes<\/td>\n\"Transmorphers\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

Great minds think alike,\u00a0the saying goes. Well, replace\u00a0the word “great” with “Hollywood” and, not surprisingly,\u00a0it still applies. It also explains why every so often the studios come out with similarly-themed movies within a few months or so of each other: 1997 gave us the parallel lava stories Dante’s Peak<\/a> and Volcano<\/a>, while the following year featured dueling\u00a0insect cartoons Antz<\/a> and A Bug’s Life<\/a>\u00a0along with twin asteroid actioners Armageddon<\/a> and Deep Impact<\/a>. Beyond these apparent acts of coincidental scripting, of course, are the copycat pictures that try to ride the coattails of a\u00a0hit film (From horrormeister William Castle’s 1961 pseudo-Psycho shocker Homicidal\u00a0and the 1977 Jaws rip-off Orca from Dino De Laurentiis to the various\u00a0failed attempts\u00a0at creating a\u00a0Harry Potter-like fantasy series in the past decade, for example). In the world of home video, one company has taken these various practices to new levels of…if not originality, let us say focused creativity…and in the process\u00a0raised the bar for\u00a0the industry in the field of\u00a0the “high-concept” (able to be summed up in one quick sentence) movie.<\/p>\n

Founded in 1997 and focusing mainly on making\/distributing horror and sci-fi films for the direct-to-video (this was way back in the days of\u00a0VHS, kids) market, the California-based studio known as the Asylum has become famous–some might say infamous–for the roster of “mockbusters” it’s released in the last several years. Stacie\u00a0Ponder, author of the marvelous Final Girl blog<\/a>, once referred to them as “the Designer Imposter Fragrances of the movie world.” In a 2007 New York Times article, Asylum co-founder David Michael Latt talked about how he and his partners discovered their formula for home cinema success by sheer chance two years earlier,\u00a0when their own modern-dress adaptation\u00a0of H.G. Wells’\u00a0 The War of the Worlds<\/a>, starring C. Thomas Howell, became a hit in video stores at the same time the big-budget Steven Spielberg version was playing in theaters.\u00a0Latt and company would even go Spielberg one better and come up with a sequel, War of the Worlds 2: The Next Wave<\/a>, in 2008.\u00a0<\/p>\n

That got the ball rolling, and–in the spirit of such B-film pioneers as Roger Corman and Samuel Z. Arkoff–the Asylum gang have continued to create films with eye-catching artwork that will remind\u00a0would-be viewers of more mainstream Hollywood product, even if it probably\u00a0won’t fool anyone into thinking they’ve about to watch the better-known movie. If you’ve already seen Naomi Watts juggling to amuse King Kong enough times (and really, who hasn’t?),\u00a0why not try King of the Lost World<\/a>\u00a0with Bruce Boxleitner, which managed to work a giant simian into Arthur Conan Doyle’s story of\u00a0prehistoric beasts in the Amazon jungle? If you think Samuel L. Jackson has his hands full battling snakes on a plane, come back to earth and marvel as a Mayan curse forces a woman to unleash Snakes on a Train<\/a>! And why go back in time to a mere 10,000 B.C. when you can travel all the way back to 100 Million B.C<\/a>.–and get Christopher Atkins, Greg Evigan,\u00a0Michael Gross and a tyrannosaurus rex to boot?<\/p>\n

Want more? Howell returns from fighting Martians to save the planet when aliens place giant robots in world captials and prepare to pass judgement on humanity in The Day the Earth Stopped<\/a>. That’s “stopped,” mind you, not “stood still.” Meanwhile,\u00a0the last surviving human on a post-apocalyptic Earth\u00a0battles monstrous mutations in…no, not I Am Legend with Will Smith, but\u00a0I Am Omega<\/a>\u00a0with Marc Dacascos, which works a salute to\u00a0Charlton Heston’s earlier The Omega Man in its title. The Transformers and\u00a0Terminator franchises got tossed into the company’s pop culture blender, and the results were the mechanized sci-fi spectacles Transmorphers<\/a> and Transmorphers: Fall of Man<\/a>, not to mention the similar but unconnected The Terminators<\/a>. And what happens when the world’s most famous (and public domain) detective takes on a metal-armored foe and dinosaurs in the heart of Victorian London? You get Sherlock Holmes<\/a>,\u00a0Asylum style, with Ben Snyder in lieu of Robert Downey, Jr. \u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n

\"mega-shark2\"As intriguing as these “tie-in” titles may be, the good folk at Asylum have also managed to excel with some slightly more original tales, the apotheosis of which was 2009’s Mega Shark versus Giant Octopus<\/a>.\u00a0\u00a0In my review of MSVGO last summer I gave the filmmakers kudos for…well, just making a film with the title Mega Shark versus Giant Octopus, as well as for the classic scenes where the shark jumps out of the water to take a bite out of the Golden Gate Bridge and munches on a passenger jet (in mid-air!). And what can you say about a movie whose\u00a0cast includes\u00a0’80s pop singer Deborah Gibson as a marine researcher and ’90s TV icon Lorenzo Lamas as a gruff-talking government agent? Well, here, go look at my review<\/a>\u00a0and see what I said.<\/p>\n

\"Megapiranha\"Never one to rest on their laurels, the studio comes back this month with–wait for it–Megapiranha<\/a>!\u00a0\u00a0That’s right, this time the piscatorial terror comes from South America, as massive mutated\u00a0pirnaha bite, chew and chomp their way from South America up to the Florida Keys. Gibson’s scientist\u00a0must be on assignment this time out, because the studio went and found the next most logical person to fill her shoes: fellow mall chanteuse Tiffany. As for the role of the government official, that now goes to another TV Land favorite, eldest Brady Bunch son Barry Williams. Sadly, though, I have\u00a0to report that the scale of the Megapiranha to battleship on this box cover is (surprise!) a tad inaccurate. Truth be told, it takes several of the feisty fish to bring down a Navy ship…and a submarine…and helicopters, but with an Asylum movie, scale or even believability are not factors that one should\u00a0allow to get in the way of one’s cheesy movie enjoyment. And this time, the filmmakers managed to get their project out well in advance of its theatrical counterpart, this summer’s Piranha 3D.\u00a0<\/p>\n

When Charlie Chaplin, Douglas Fairbanks, D.W. Griffith and Mary Pickford teamed up to form United Artists in\u00a01919, a Hollywood executive was quoted as saying, “The inmates are taking over the asylum”. The people behind this Asylum may not be\u00a0inmates,\u00a0but they are crazy like a fox when it comes to carving out their own unique, low-budget, and strangely entertaining niche in the\u00a0motion picture landscape.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Great minds think alike,\u00a0the saying goes. Well, replace\u00a0the word “great” with “Hollywood” and, not surprisingly,\u00a0it still applies. It also explains why every so often the studios come out with similarly-themed movies within a few months or so of each…<\/p>\n","protected":false},"author":24,"featured_media":8892,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[34],"tags":[],"coauthors":[],"class_list":["post-8123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-staff-notes"],"yoast_head":"\nThe Asylum: Imitation Is Their Sincerest Form - MovieFanFare<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.moviefanfare.com\/?p=8123\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Asylum: Imitation Is Their Sincerest Form - MovieFanFare\" \/>\n<meta property=\"og:description\" content=\"\u00a0 Great minds think alike,\u00a0the saying goes. 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A lifelong fan of Alfred Hitchcock, the Marx Brothers and Three Stooges, Universal and Hammer horror films, and all things dinosaur- and superhero-related, his 2001 bantering with Regis Philbin pops up now and again on GSN. Gary's not ashamed to admit he cried at the end of Titanic, after realizing he had just wasted three hours of his life.\",\"sameAs\":[\"http:\\\/\\\/www.moviefanfare.com\"],\"url\":\"http:\\\/\\\/www.moviefanfare.com?author_name\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Asylum: Imitation Is Their Sincerest Form - MovieFanFare","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.moviefanfare.com\/?p=8123","og_locale":"en_US","og_type":"article","og_title":"The Asylum: Imitation Is Their Sincerest Form - MovieFanFare","og_description":"\u00a0 Great minds think alike,\u00a0the saying goes. 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