{"id":48218,"date":"2015-12-23T06:01:07","date_gmt":"2015-12-23T11:01:07","guid":{"rendered":"http:\/\/www.moviefanfare.com\/?p=48218"},"modified":"2015-12-23T01:44:43","modified_gmt":"2015-12-23T06:44:43","slug":"horses-trains-and-carriages-duel-in-the-sun-1946","status":"publish","type":"post","link":"http:\/\/www.moviefanfare.com\/?p=48218","title":{"rendered":"Horses, Trains and Carriages: Duel in the Sun (1946)"},"content":{"rendered":"<p><a href=\"http:\/\/www.moviefanfare.com\/?attachment_id=48249#main\" rel=\"attachment wp-att-48249\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-48249\" src=\"http:\/\/www.moviefanfare.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-2.jpg\" alt=\"DUEL IN THE SUN 2\" width=\"535\" height=\"404\" srcset=\"https:\/\/onecinephile.wpenginepowered.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-2.jpg 535w, https:\/\/onecinephile.wpenginepowered.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-2-300x227.jpg 300w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/a>Guest blogger Emily Rauber writes:<\/p>\n<p>The wide open expanse and often harsh climate of the western American frontier usually necessitated some mode of external transportation for those seeking to cross it; in film, the cowboy\u2019s trusty horse\u00a0and\u00a0the clattering wheels of the stagecoach became\u00a0as much a part of the Western\u00a0aura\u00a0as blowing tumbleweeds or the high-noon duel. In\u00a0Duel in the Sun, director\u00a0<a href=\"http:\/\/www.moviesunlimited.com\/search?cr=King%20Vidor%7C821646&amp;mod=AP\" target=\"_blank\" rel=\"nofollow\">King Vidor<\/a> associates\u00a0the different modes of transportation to further distinguish the\u00a0characters along lines of modernity, progress, and loyalty.<\/p>\n<p>The film begins as\u00a0Pearl Chavez (<a href=\"http:\/\/www.moviesunlimited.com\/search?cr=Jennifer%20Jones%7C689464&amp;mod=AP#!?pagenum=1&amp;sortby=TitleAZ\" target=\"_blank\" rel=\"nofollow\">Jennifer Jones<\/a>) is sent\u00a0to live with the family of her father\u2019s\u00a0old sweetheart Laura Belle, at a\u00a0sprawling, secluded ranch known as the Spanish Bit. The ranch is governed by Jackson McCanles (<a href=\"http:\/\/www.moviesunlimited.com\/search?cr=Lionel%20Barrymore%7C578422&amp;mod=AP\" target=\"_blank\" rel=\"nofollow\">Lionel Barrymore<\/a>), who is known as \u201cthe Senator,\u201d along with wife Laura Belle (<a href=\"http:\/\/www.moviesunlimited.com\/search?cr=Lillian%20Gish%7C710726&amp;mod=AP\" target=\"_blank\" rel=\"nofollow\">Lillian Gish<\/a>), and their two grown sons.\u00a0The older son, Jesse (<a href=\"http:\/\/www.moviesunlimited.com\/search?cr=Joseph%20Cotten%7C697669&amp;mod=AP\" target=\"_blank\" rel=\"nofollow\">Joseph Cotten<\/a>), is the first McCanles that Pearl meets,\u00a0and she\u2019s immediately smitten. She sees him as\u00a0a good, proper\u00a0man\u2014if a bit emotionally distant and overly moralistic, though she tends to blame herself for inspiring those negative traits. The other McCanles son, Lewt (<a href=\"http:\/\/www.moviesunlimited.com\/search?cr=Gregory%20Peck%7C222278&amp;mod=AP\" target=\"_blank\" rel=\"nofollow\">Gregory Peck<\/a>), is more or less Jesse\u2019s polar opposite: he\u2019s wild, brash, and has a cruel streak\u00a0that ranges\u00a0from flirtatious\u00a0teasing to murderous assault.<\/p>\n<p><a href=\"http:\/\/www.moviefanfare.com\/?attachment_id=48280#main\" rel=\"attachment wp-att-48280\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-48280\" src=\"http:\/\/www.moviefanfare.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-DF.jpg\" alt=\"DUEL-IN-THE-SUN-DF\" width=\"540\" height=\"196\" srcset=\"https:\/\/onecinephile.wpenginepowered.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-DF.jpg 540w, https:\/\/onecinephile.wpenginepowered.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-DF-300x109.jpg 300w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a>Even from the beginning, the brothers are defined and divided, in part, by their relationships to different modes of transportation. Lewt is most closely identified with his horse riding, showing off for Pearl by doing silly tricks, overpowering a wild stallion, and challenging her to ride bareback. Jesse, on the other hand, we first meet driving\u00a0a carriage. After Jesse becomes alienated from his father and is ultimately\u00a0banished\u00a0from the ranch, he is even seen traveling\u00a0by train.<\/p>\n<p>The train takes a particular\u00a0thematic importance in part because of the ranch\u2019s isolation from the outside world\u2014a specific point of pride for the Senator. The ranch seems to have been operating in near-perfect seclusion, its own working ecosystem without major\u00a0influence or calls for accountability from anyone outside. That lifestyle was possible for white homesteaders at this time, who could build\u00a0their own informal communities as the US expanded claims to territory. But their ideals of\u00a0independence were threatened as long-range transportation\u00a0improved and gave more people the opportunity to travel westward as well\u2014without expending the sweat, blood, and tears the frontiersmen had shed and spilled.<\/p>\n<p><a href=\"http:\/\/www.moviefanfare.com\/?attachment_id=48272#main\" rel=\"attachment wp-att-48272\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-48272\" src=\"http:\/\/www.moviefanfare.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN.png\" alt=\"DUEL IN THE SUN\" width=\"240\" height=\"179\" \/><\/a>In Duel in the Sun, the threat comes to a head\u00a0when the Senator gets word that\u00a0the train tracks for the new railroad are fast approaching the perimeter of his property\u2014with the intent to go directly through it. He gathers up a crowd of ranch hands, and elder son\u00a0Jesse, and rides them all to the edge of the barbed wire fence. The government railroad administrators are embodiments of the soft city types who clearly wouldn\u2019t be anywhere near this vicinity\u00a0if not traveling by\u00a0the relative luxury of the train. Confronted with the appropriately rugged, macho men from the Spanish Bit (and their rifles), the railway lawyer can barely stutter out the fact\u00a0that the government\u00a0actually does have a\u00a0legal right to continue construction. But he\u2019s not overly convincing or confident in his delivery, and the McCanles men stand firm. The situation reaches an uncomfortable impasse when the Senator threatens to shoot anyone that crosses over onto his property. The railway men seem unwilling to call\u00a0his bluff, but also unwilling to abandon an important national\u00a0railway project due to the isolationist\u00a0preferences\u00a0of one\u00a0citizen.<\/p>\n<p>Moralistic Jesse forces the situation into motion\u00a0by crossing\u00a0under the fence, in support of the railway administrators (and against the Senator\u2019s overblown threats of violence)\u2014literally positioning himself on the side of the train, and in direct opposition\u00a0to his father. His move allows\u00a0the train to continue its construction, but the Senator also bans Jesse from returning to the ranch as a punishment for\u00a0his disloyalty to the family. Luckily, the nature of Jesse\u2019s betrayal also\u00a0offers\u00a0him with an easy exit to the outside world, where he, perhaps, was already seeking to go.<\/p>\n<p>Lewt, meanwhile, misses the excitement at the fence, but Jesse\u2019s banishment means there is an opportunity for him to claim status as his father\u2019s favored son. He chooses to earn that favor by planting explosives on the new train track and blowing it up, delaying the potential encroachment of the cityfolk, as well as destroying the symbol of the outside world. This action, though supported by his father, also establishes him as an\u00a0\u201coutlaw,\u201d further restricting his potential options for ever leaving the ranch, and tying his future to its survival as an independent community.<\/p>\n<p><a href=\"http:\/\/www.moviefanfare.com\/?attachment_id=48271#main\" rel=\"attachment wp-att-48271\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-48271\" src=\"http:\/\/www.moviefanfare.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-6.jpg\" alt=\"DUEL IN THE SUN 6\" width=\"525\" height=\"394\" srcset=\"https:\/\/onecinephile.wpenginepowered.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-6.jpg 525w, https:\/\/onecinephile.wpenginepowered.com\/wp-content\/uploads\/2015\/12\/DUEL-IN-THE-SUN-6-300x225.jpg 300w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/a>But one explosion can\u2019t stop the train tracks from coming any less than it could stop the progression of the entire flock of westward bound travelers; even Jesse ultimately returns home by train, with a sophisticated new city wife on his arm. Jesse\u2019s alignment with the urban, educated elite of the outside world puts him at odds with the independent, frontier values of Pearl, his father, brother, and the ranch itself. Yet by film\u2019s end, it\u2019s clear that he\u2019s aligned himself with the future, as those stuck in\u00a0the past are ultimately undone by their own commitment to their isolation. Pearl\u2019s world, in particular, seems entirely bound by the confines of the Spanish Bit; if any character desperately needs a train ticket to see what the rest of the world has to offer\u2014and the knowledge that she\u2019s not just limited to the handful of marriageable men within present spitting distance\u2014it\u2019s Pearl Chavez.<\/p>\n<p><em>Emily Rauber is a connoisseur of shirtless Paul Newman, and writes about classic movies at her blog, <\/em><a href=\"http:\/\/www.thevintagecameo.com\/\" target=\"_blank\" rel=\"nofollow\"><em>The Vintage Cameo<\/em><\/a><em>.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>King Vidor&#8217;s Duel in the Sun, with Jennifer Jones and Gregory Peck, was a frontier tale of forbidden love. But it also reflected how the coming of the railroad changed the landscape of the Old West and its inhabitants, according to guest writer Emily Rauber. <\/p>\n","protected":false},"author":28,"featured_media":48248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11],"tags":[1442,1656,5588,1368],"coauthors":[1710],"class_list":["post-48218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-articles","tag-1940s-movies","tag-gregory-peck","tag-movie-reviews","tag-western-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Horses, Trains and Carriages: Duel in the Sun (1946)<\/title>\n<meta name=\"description\" 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